Field Edge (Autumn) (40cm x 30cm acrylic on panel)
Blue Rocks (30cm x 30cm acrylic on panel)
River Bank (Pink) (30cm x 30cm acrylic on panel
I’ve been enjoying working in series recently. One idea seems to suggest others and it can be interesting to work on several paintings at once. The warm low light on fields and a river near to my home was the inspiration for a recent series of 5 paintings, all in acrylic, in which I tried to push the colours in an effort to express warmth. I hope that this comes across 🙂 Click on the thumbnails to see a larger image.
Article in The Artist magazine (March 2019 issue)
I was delighted to be informed a few weeks ago that my mixed media painting ‘A Glimpse of St Paul’s in theFebruary Rain’ had been selected by the editor of The Artist magazine for a small prize and a write up in the magazine. The magazine article appears in the March issue, which is currently in the shops ,and the prize will buy me some lovely new art materials. I can’t wait to choose!
Red, Amber, Green (35cm x 35cm mixed media and collage on mount board)
More collage and more rainy London! I was initially attracted to the green reflections from the traffic lights on the wet surface of the pavement. Then I noticed that the lights in the buildings were glowing yellow (amber?) as dusk was approaching. Red brake lights completed the picture. I had my own traffic light combo – no problems choosing a title for this painting!
Rainy Winter Afternoon. South Bank from The Thames (30cm x 30cm acrylic inks and acrylic on paper)
I don’t often paint cityscapes but was inspired to do so this time after a February trip to London to deliver my painting to the Mall Galleries in preparation for the Royal Institute of Painters in Water Colours exhibition.
The weather was exceptionally wet. After trudging down the Mall followed by pizza to warm up (!) we decided to take a river trip up the Thames towards Tower Bridge. Visibility was fairly poor but, oddly, that added to the quality of the experience. The resulting painting is really a tonal one interspersed with the occasional spot of colour. I was interested in trying to recreate the dampness of the day and the flat light. Watercolour might have been the obvious choice but I decided to give it a go in acrylic inks on quite a textured watercolour paper. Somehow it seems rather calming….
Last Sprouts Standing (30cm x 40cm acrylic on mount board)
The forecast snow did arrive but we were fortunate not to have too much of it. I am hoping soon to be painting some spring colour again! This is the second of my snowy allotment pieces. I just loved the shapes of the leaves against the snow and had fun trying to recreate this by ‘negatively painting ‘ – by painting the spaces around and between the leaves and stalks rather than the leaves and stalks themselves.
Apparently more snow is forecast for the weekend. Appropriate then for me to share the first of a couple of allotment paintings I made of the snow we had a few weeks ago. Lots of colourful greys to mix in this image of some wobbly compost heaps and lovely blue water butts!
Winter. Tree Reflections 2 (30cm x 40 cm mixed media on paper)
As you might have guessed from the not so adventurous title, this is the second of my ‘black is the new colour’ series. Yes, I know it looks quite a lot like ‘Winter. Tree Reflections 1’ but there are some subtle differences. I worked on the two at the same time and it’s always interesting when I do this how one influences the other. I’m loving the inks!
Winter. Tree Reflections 1 (30cm x 40cm mixed media on paper)
The next in my series of river paintings is the first of two. I splashed out the other day (excuse the pun!) and bought some black acrylic ink and then had a Johnny Nice Painter* moment and went completely crazy with it. Lots of fun!